Death Valley Girls – How Losing Everything In The FireTaught Me To Love Myself

Death Valley Girls’ new record, Welcome to Earth, emerged from a formative moment of loss and tragedy. A devastating Los Angeles wildfire precipitated a period of turmoil for singer Bonnie Bloomgarden. The album is out this Friday, October 9, 2026 via Suicide Squeeze Records.

Today, the Southern California band shares the final single “How Losing Everything in the Fire Taught Me to Love Myself,” which confronts terror, trauma, and forward motion. The fuzzy, psychedelic instrumental builds to a commanding climax.

On the single, Bonnie Bloomgarden shares: “I spent my whole life trying to change myself, trying so hard to be ‘normal’ and imagining that everyone else was entitled to a level of worthiness I hadn’t yet earned. The fire forced me to stop focusing on who I needed to become and start learning how to feel safe with who I already was. After a lot of therapy, which I was very, very lucky to have access to, I realized I wasn’t just recovering from trauma—I was becoming comfortable with myself. This song is about losing everything, being terrified, and finally discovering that even when I have nothing, I have all I need.”

On the video, director Dylan Mars Greenberg elaborates: “Immediately listening to this song I wanted to create something really kinetic and I imagined Bonnie flying through the sky. I have always been enamored by older methods of effects where they did effects in camera, and my entire life I had wanted to try using rear projection. Instead of a green screen, where you’re just on a big green wall and have to add the background in post, rear projection allows the environment to be projected in real time. We actually used a slightly different process provided by the studio, the Clubhouse, that used front projection, but either way we were able to do everything in the camera. I could see bonnie flying through the air through the eye of the camera in real time and I think that’s what really added to the dream quality of the film. My partner Glitter Macabre did Bonnie’s makeup which was also based on a few ideas I had, Glitter than created a sketch that really brought the look into a tangible space and then that sketch became a reality on Bonnie’s face. The makeup itself represents flight, the wings of her eyes are like the wings of a bird. The video is about Bonnie’s character, lost and flying alone, finding love and friendship in the sky.”

The road to Death Valley Girls’ Welcome to Earth begins in the ashes of California’s Eaton Fire. After losing her home in Altadena and soon after her beloved dog Tommy, lead singer and songwriter Bonnie Bloomgarden confronted questions that resisted easy answers: What survives catastrophe? What remains after loss? How do you rebuild a life when the things that once defined it are gone? The album that emerged from those questions is among the most intimate and searching works Death Valley Girls have ever made.

Throughout the band’s body of work, they have treated music as both celebration and search party. Albums like Glow in the Dark, Darkness Rains, Under the Spell of Joy, and Islands in the Sky transformed their space rock sound into a vehicle for spiritual inquiry, finding flashes of transcendence amid everyday chaos. But Welcome to Earth feels distinct from its predecessors. It focuses less on escaping the world and more on understanding how to remain connected after devastation.

What emerged was not a psych-punk record about loss, exactly, but about connection: the invisible threads linking people, animals, memories, landscapes, and lives across time. The album’s title functions as both a greeting and a reminder, a welcome from the natural world to a species that has largely forgotten its place within it. Again and again, the songs return to the possibility that separation may be humanity’s most persistent illusion.

That idea of connection extends beyond the songs themselves. After the fire, Bloomgarden found herself held aloft by the musicians who now make up Death Valley Girls: drummer Bailey Chapman, guitarist Laena Myers, bassist Alana Amram, saxophonist Sarah Safaie, and keyboardist Gregg Foreman – who devastatingly passed away not long after. They carried her through grief, through the band’s first tour after the loss, and a year for her to be ready to write again. Their presence shaped not only the spirit of Welcome to Earth, but its sound: a more expansive, communal energy that feels inseparable from the people who helped bring it into being. “I don’t think this record could have been made with any other group of people,” Bloomgarden shares. Tragically, the album also stands as the final Death Valley Girls recording to feature Gregg’s contributions.

Yet for all its weighty questions, Welcome to Earth is remarkably joyful. “Plant Magic” turns renewal into a communal celebration. “Basic Witch,” featuring Seth Bogart, transforms heartbreak into hard-won self-awareness. “Message From the Venus Flower” and “I Love You” reimagine grief as evidence of an enduring connection rather than an ending. Musically, the album remains unmistakably Death Valley Girls: exuberant, melodic, curious, and gloriously open-hearted. Girl-group harmonies drift through hazy psychedelic passages; voices gather into communal chants; choruses arrive with the buoyancy of a collective sing-along. That communal spirit echoes throughout the album’s many voices: twenty-three guest singers appear across the record, including a children’s chorus whose bright presence lends the songs a fresh sense of wonder. Longtime collaborator Laura “The Kid” Kelsey returns throughout the album, as well as Little Ghost who was equally central to the process, contributing backing vocals throughout the record, creating the album artwork, and remaining a constant creative presence both in the studio and on the road. Welcome to Earth also features acclaimed jazz vocalist and multi-Grammy-nominated artist Gretchen Parlato.

What makes Welcome to Earth so moving is its refusal to separate the cosmic from the deeply personal. Bloomgarden searches for meaning everywhere, following those threads wherever they lead. The result is Death Valley Girls’ most intimate album, but also their most expansive: a record that looks directly at loss and somehow emerges more open to wonder. In the end, Welcome to Earth proposes a radical idea disguised as a danceable rock-and-roll record. It suggests that healing begins not when grief disappears, but when we recognize how deeply connected we have always been.

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