Asara – With Love
Following “Cute” and “Thank You, Thank You,” Asara unveils a third track from her debut album “028 Crises”: the minimalist “With Love.” Set against a minimalist drum machine and a clean piano line, Asara’s delicate vocals captivate.
Asara is the solo project of Paris-based French-Moroccan artist Sarah Pitet, a multi-instrumentalist, songwriter, composer, and video director whose debut album 028 Crises will be released on July 3rd via French label Géographie.
After spending four years as a member of Dog Park, moving fluidly between guitar, bass, keyboards, and vocals, she now steps into a more intimate and personal space with her first solo work.
Having played music since childhood, Asara grew up through various band projects before joining Dog Park, alongside Erica Ashleson, Isabella Green Catani, and Jean Duffour. Together, they released the album Festina Lente in 2024 on the same label, Géographie. That collective experience now feeds a more introspective form of songwriting and a deeply personal approach to creation.
Written throughout 2025, 028 Crises unfolds like a near-documentary sonic diary, tracing the emotional landscape of her twenty-eighth year. Voice takes center stage throughout the record, balancing raw vulnerability with sharper rhythmic momentum. Her debut single “Cute” draws from the textures and pulse of hip-hop drum machines, while “Thank You, Thank You” stays rooted in a melodic, stripped-back bedroom pop aesthetic. On “With Love”, Asara blends upright piano with French touch-inspired electronic elements, while the rest of the album leans toward a darker, denser, and more organic form of rock. From her apartment studio in the Paris suburbs, she writes, produces, and shapes the entire visual and sonic identity of the project.
As much a visual artist as a musician, Asara also directs her own music videos and develops the project’s visual world herself. The album was recorded with Baptiste Leroy, a longtime creative collaborator since their teenage years, at Studio 48L in Paris.
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