wilt – when no one’s watching

Today, rising alternative four-piece rock group wilt – currently on an extensive North American tour including headline and support dates – announce when no one’s watching, their long-awaited debut album out October 2 via AWAL, along with new single “dent.”

when no one’s watching is the culmination of several years of releasing music, nonstop touring and engaging with a quickly growing audience via their booming social media presence. The Los Angeles-based band – Chelsea Rifkin (vocals), Aaron Liebman (guitar), Andy Vance (guitar) and Dan Bermudez (drums) – has taken their time to define their sound and voice and, with the guidance of Grammy-winning producer Carlos de la Garza (Paramore, The Linda Lindas), have crafted an album that pairs soul-searching lyrics with upbeat music driven by loud-quiet-loud dynamics, inventive guitar riffs and Rifkin’s keening vocals—drawing, at various times, from grunge, shoegaze, punk, and melodic hardcore.

Of the new track, the band note: “’dent’ is by far the most unique song we’ve ever written — an unusual structure, a time signature change, a crazy outro — and yet it’s the most wilt thing we’ve ever made. Carlos De La Garza’s production made it as loud and massive as it deserved. It’s short, but it feels like our sonic thesis statement — which is exactly why we put it at the front of the album.” The new track follows early singles “nothing good to cry about” and “bundy,” a track Consequence called “killer” and Alternative Press raved, “The rising alt-rock quartet take the furious, darkly hooky edge of their namesake (Hole)…”

“dent” arrives with a music video directed by Ambar Navarro, welcoming fans into a surreal and Pinterest-worthy retro-futurist world. Filmed in an unventilated storage container on a blisteringly hot July day in LA, the video features clothing and accessories upcycled and made by hand by vocalist Chelsea Rifkin. It was a true labor of love and shines a light on the group’s unbounding creativity.

when no one’s watching was a total collaboration, with the band writing almost all of the songs together in one room—a process that gave them a chance to feed off each other’s creativity in real time.This approach was a change from the past, when wilt’s instrumentalists would work up song ideas, hand over demos so Rifkin could write lyrics separately, and then self-produce the results.

The album’s title, when no one’s watching, has a poignant meaning for the members of wilt. “For all of us, and especially Chelsea, it’s what it feels like when no one’s watching and you’re still struggling mentally and emotionally with everything,” Vance says. “Even as our career has continued to grow and go in a great direction, that’s where the title comes from. It’s that contrast: ‘Stuff is great, but how do I feel when I’m alone?’” He compares it to imposter syndrome: “‘When will I feel like I really belong? When will I feel like I deserve this success?’”

“Many songs on the album talk about great things happening, but yet you’re still finding every reason to be upset or sad,” Rifkin says. “‘Why can’t I ever be happy? I’m living my dream. This is everything I’ve ever wanted and worked towards, but I still feel off and just as bad as before.’ And then there’s the theme from a relationship standpoint, of knowing that something’s not good for you but you’re continuing to go back for more—or knowing that nothing’s wrong once again, and you’re the problem.”

Luckily, wilt have positioned themselves for success by building their career on their own terms, at their own pace. Liebman initially met Rifkin in a roundabout way while he was working at Guitar Center. He then started producing bedroom-pop music Rifkin was making, before she headed to Chicago to attend art school. She struggled adjusting to college life while navigating difficult personal challenges; most notably, her dad was very ill and passed away during winter break. Rifkin ended up dropping out of school and moving home—but in hindsight sees how formative this period was for her. “When I got to Chicago, I reconnected with ’90s grunge, riot grrrl and punk, and all the stuff that my dad had shown me,” she says. “I’ve always loved rock music and this period really solidified it for me.’”

Much of when no one’s watching is dedicated to Rifkin’s dad, who had an enormous influence on her musical tastes. “You can hear so much of my dad in this album,” she says. “He was the biggest music nerd you could possibly know. He and my mom owned a record store while I was growing up, and when he was younger, he was really into the punk scene in L.A. and wrote for zines. My parents were always surrounding me with rock music and really helped me find what I was really into.”

Things took off quickly: The first video the band posted on TikTok earned them over three million views. A flurry of songs and live shows followed, culminating in a 2024 self-titled EP that found wilt transitioning into their current heavier sound. Several years into their career now, wilt has come into their own with the release of when no one’s watching.

wilt Tour Dates

Aug 15 Chicago, IL – HOB Chicago **

Aug 16 Detroit, MI – The Majestic **

Aug 18 Columbus, OH – Ace of Cups 

Aug 20 Toronto, ON – Danforth Music Hall **

Aug 21 Cleveland, OH – Mahall’s 

Aug 22 Buffalo, NY – Mohawk Place 

Aug 23 Boston, MA – Paradise Rock Club **

Aug 27 New York, NY – Irving Plaza **

Aug 28 Philadelphia, PA – TLA **

Aug 29 Richmond, VA – The Camel

Aug 30 Charlotte, NC – The Underground **

Sep 01 Raleigh, NC – Lincoln Theatre **

Sep 02 Atlanta, GA – Masquerade Heaven **

Sep 04 New Orleans, LA – Casa Gasa ++

Sep 05 Houston, TX – HOB Houston **

Sep 08 Austin, TX – Emo’s **

Sep 10 Dallas, TX – HOB Dallas **

Sep 12 St. Louis, MO – Off Broadway ++

Sep 13 Indianapolis, IN – Hi-Fi ++

Sep 16 St. Petersburg, FL – Jannus Live **

Sep 17 Ft. Lauderdale, FL – Culture Room **

Sep 19 Nashville, TN – Eastside Bowl **

Sep 23 Los Angeles, CA – The Wiltern **

Oct 01 San Diego, CA – Music Box **

**supporting Jutes

++supporting Mothica

#wiltband