NIIA – V
Today, LA-based jazz vocalist, pianist, and composer Niia released her genre-defying fifth studio album V on Candid Records. A sharp, soulful exploration of desire, heartbreak, and freedom, the pivotal record is a culmination of years spent experimenting at the intersection of tradition and reinvention. Co-produced by Spencer Zahn (Dawn Richard, Empress Of) and Lawrence Rothman (Angel Olsen, Kim Gordon, Kali Uchis).
Also out today is the visualizer for the focus track “Pianos and Great Danes,” an uninhibited club-jazz anthem exploring sex as an escape with an irresistible drum ‘n’ bass groove.
Bridging the gap between traditional nostalgia and the complexities of modern emotional life, the surreal song is “closer to a film score than anything from the Great American Songbook,” says Niia.
She continues, “Written like a monologue with chord changes, it leans into space and narrative, letting the harmony suggest the emotional shifts. Embracing emotional residue, there’s a chaotic feeling where the only way out is to melt through the track.”
Living in the tension between control and collapse, V seamlessly blends the electronic textures of experimental pop with the thrilling interplay that only live, jazz-rooted musicianship can bring. The arrangements stretch–sometimes restrained, sometimes theatrical–but always with intention. As a classically trained musician who grew up watching Italian cinema, “I pulled from the harmonic language of jazz pianists like Bill Evans and from the psychological atmosphere of film scores,” explains Niia. That combined inspiration and influence is most evident in the songs “Angel Eyes,” a reimagined version of the 1946 jazz standard by Matt Dennis & Earl B. Brent, and “Ronny Cammareri,” a slow-burning instrumental titled after Nicolas Cage’s character in Moonstruck.
Niia’s most personal record yet, V explores the full spectrum of self: self-harm, self-delusion, self-awareness, and in rare moments, self-love. “Not in a moralizing way, but in a very human one,” she clarifies. “The good and bad live side by side, often in the same verse. One minute I’m performing heartbreak like it’s a role I’ve rehearsed, the next I’m quietly admitting I caused the whole thing. That contradiction is the truth.”
Balancing those heavy themes with Niia’s unapologetic sad girl humor, there are tracks like the provocative album opener “fucking happy,” accented by sarcasm layered over melancholy, that radiate relatability. A sly nod to Fiona Apple’s iconic “Criminal” video, watch the Lili Peper-directed video.
Also featuring emotional depth with a rebellious sonic palette is “Throw My Head Out The Window,” featuring new wave jazz boundary pushers bassist Anna Butterss and Nicole McCabe on saxophone. It is intentionally over-orchestrated with strings, dissonant piano, and a vocal teetering between aria and tantrum.
With a vision and mission to bridge the gap between control and collapse, the provocateur successfully brings that tension to life not only in her music, but in the album’s cover art as well, featuring Niia affixed with a heretic fork– an instrument of medieval torture reserved for those who spoke out against dogma and orthodoxy. Niia emphasizes, “If I’m going to make my statement in this genre, I need to be a disruptor.”
2025 EUROPEAN TOUR DATES
October 11, 2025 – Hamburg, Germany
October 13, 2025 – Copenhagen, Denmark
October 14, 2025 – Berlin, Germany
October 16, 2025 – Innsbruck, Austria
October 17, 2025 – Munich, Germany
October 21, 2025 – Frankfurt, Germany
October 27, 2025 – Budapest, Hungary
October 28, 2025 – Vienna, Austria
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