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Okkyung Lee – Just Like Any Other Day (어느날): Background Music For Your Mundane Activities

Okkyung Lee by Eun Chun2

Today, Okkyung  releases her album Just Like Any Other Day (어느날): Background Music For Your Mundane Activities via Shelter Press.

Just Like Any Other Day Background Music For Your Mundane Activities2

Just Like Any Other Day (어느날): Background Music For Your Mundane Activities includes the previously released singles “let’s walk down to the swamp together” and “Good Morning Harrison, It’s Time To Go.”

For more than two decades, Okkyung Lee has stood at the forefront of the most radical trajectories of experimental music: a virtuosic cellist and improviser, renowned for her creative rigor and emotive depth. Particularly noteworthy for her range, dexterity, and adaptability, over the last five years Lee’s output has revealed unexpected shifts and developments that move far afield from the realms of free improvisation for which she is most well known.

Worked on in isolation, and continuously returned to, over the course of four years, the album’s nine pieces began with a simple recognition that experimental music is not always what we imagine it to be. It is a practice and a pursuit – a music for which, at its inception, the outcome is unknown – rather than an idiom defined by certain syntaxes, approaches, and qualities of structure and sound. From this departure point, Lee began to inquire after the utility of music itself: what is it for, what does it do, and what place does it (or can it) occupy in our lives?

This solitary and durational journey, each composition gradually moving through different phases and evolutions over years, led Lee toward uncharted ground: a music that is not only playful, introspective, and seductive, but also intended to provoke a relationship to experimental music beyond its normative expectations. Rather active or deep listening, it pursues passive listening. Rather than a grand statement, it is discreet. Rather than virtuosity, it embraces the elegant and direct. Even more strikingly, for the first time, the music of Just Like Any Other Day (어느날) encounters Lee leaving the cello entirely behind.

Created at home on keyboard, computer, and an inexpensive cassette recorder, Just Like Any Other Day (어느날) presents a remarkable form of ambient music intended, as the album’s subheading infers, as Background Music For Your Mundane Activities. Each of the pieces presented across the two sides of Just Like Any Other Day (어느날) implies something far greater than the limits of its own temporarily: a mood, provocations of memory and place, mirrors for the solitude within which it was made, and palpable emotion lingering just out of grasp. For Lee, each of the album’s compositions could be continued or looped for an indeterminate duration: straddling a ground between the minimal and the baroque, enveloping the listener in endless cycles of appreciating, repetitive and rhythmical notes, flirting with the melodic and implying a disembodied imagism that borders on the profound.

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