Courtney Barnett today announces ‘Here And There,’ a boutique touring festival with a rotating line-up featuring many of the most exciting songwriters in music today. This August and September, Barnett will take the one-day, one-stage festival to 15 locations around North America, each city with an extraordinary and unique line-up.
Joining Barnett at various points on the line-up will be Alvvays, Arooj Aftab, Bartees Strange, Bedouine, Caroline Rose, Chicano Batman, Ethel Cain, Faye Webster, Fred Armisen, Hana Vu, Indigo De Souza, Japanese Breakfast, Julia Jacklin, Leith Ross, Lido Pimienta, Lucy Dacus, Men I Trust, Quinn Christopherson, Sleater-Kinney, Snail Mail, The Beths, Waxahatchee, and Wet Leg. A full city-by-city summary can be found below.
Barnett says: “When I was a kid I would make mix-tapes and dream up my own festivals, I’d even design the t-shirts and pair up musicians for iconic collaborations. I’d listen to the mix-tape and pretend it was the live recording of a concert, all my favorite artists on stage together. 10 years ago I wrote this lyric: “I got lost somewhere between here and there, I’m not sure what the town was called”. Whether that was meant to be interpreted as a geographical, emotional or philosophical journey, I thought it was the perfect title for my roaming festival.
This concept was something that remained floating in the back of my mind when I started playing music. Here And There feels like a natural culmination of energy after years of touring, and ten years of working on my label Milk! Records. It’s something I’ve been forever daydreaming about, and part of an always evolving project to share spaces and build new platforms for art and artists that I believe in.
It’s always been important to me to share the stage with people that I admire and artists that inspire me, which is why I’m so excited and grateful to announce this amazing lineup.”
Courtney is thrilled to have The Ally Coalition (TAC) at Here and There. TAC will be partnering with Here And There to provide site-specific programs throughout the tour. Founded in 2013 by Jack Antonoff (Bleachers) and fashion designer Rachel Antonoff, TAC is committed to bettering the lives of LGBTQ youth through tours, campaigns and partnerships, providing support to organizations serving LGBTQ Youth. TAC partners with artists and uses their platforms to raise awareness of the systemic inequalities facing the LGBTQ population and activate prominent members of the creative community and their fan bases to engage with these issues in meaningful and impactful ways. This year, TAC is touring with a range of incredible artists, including Courtney Barnett, Bleachers, Big Thief, Faye Webster, Beach Bunny and Caroline Rose.
Courtney is partnering with Plus1 to donate $1/ticket to TAC and their work supporting LGBTQ Youth across the country.
TOUR DATES:
8/8/2022 – Kansas City, MO – Arvest Bank Theatre at the Midland
Los Angeles-based, all-female punk band The Linda Lindas have announced their forthcoming album Growing Up. The highly anticipated release is due out digitally on April 8 and on physical formats June 3 via Epitaph Records. Today, the band shares the title track “Growing Up,” written by vocalist/guitarist Lucia. Alongside the track, they release the music video directed by Humberto Leon, co-founder of fashion brand Opening Ceremony and owner of Los Angeles restaurant CHIFA. The video, completely shot on iPhone 13 Pro Max, features custom clothing from Rodarte & Batsheva, and eyewear from Warby Parker.
Humberto Leon on directing “Growing Up”:
“Directing my first video for The Linda Lindas was a dream come true because I love the message and voice the girls have, and I am a true fan. I was really inspired by the girl’s love of cats and wanted to take that to the next level and so the video is a conversation about turning points in their lives all being viewed through the gaze of their cats. It creates a narrative of whether the cats want to trade places with the girls or vice-a-versa.This video was extra special because I worked with the girls on designing the outfits with Batsheva, styling the looks with Rodarte and Warby Parker. The entire video was a collaboration between me and the girls. By shooting the video on iPhone 13 Pro Max, it created an intimacy with the video that felt like we were listening in on a day in the life of The Linda Lindas.”
Tomorrow night, The Linda Linda’s will perform on The Late Show With James Corden.
TOUR DATES:
*w/ The Beths
#w/ Jawbreaker
Feb 11 – Pioneertown, CA – Pappy & Harriet’s *
Apr 1 – Los Angeles, CA – The Wiltern #
Apr 2 – Los Angeles, CA – The Wiltern #
Apr 3 – Los Angeles, CA – The Wiltern #
Apr 27 – New York, NY – Irving Plaza #
Apr 28 – New York, NY – Irving Plaza #
Apr 29 – New York, NY – Irving Plaza #
Apr 3 – New York, NY – Irving Plaza #
Oct 22-23 – Las Vegas, NV – When We Were Young Festival
Best of 2021 – Last year we missed doing our annual “Best Of.” This year we present it after a year of quarantine albums galore. Tours didn’t start until May but new music was flowing from the start of 2021. 2022 is already aiming to be a busy year. Here are our choices for the Best of 2021.
We’ve evolved from Phoebe Bridgers, Megan Thee Stallion and others of last year to a new crop of artists.
Best Label – Fire Talk Records – Home to Bnny, Mamalarky, Packs and more this boutique label is setting up to be the next Saddle Creek Records.
Secretly Group @secretlygroup, Saddle Creek Records @saddlecreek, Fire Talk Records @firetalkrecs, Don Giovanni Records @DonGiovanniRecs
Nest New Artist – “New” is always relative. Georgia Maq has been part of Camp Cope, and Isabella Manfredi was part of The Preatures. Our winner is Ashe who album Ashlyn was hard to put down this year.
Georgia Maq @goldsoundz_, Allison Russell @allisonrussellmusic, S.G. Goodman @s.g.goodman, Ashe @ashemusic, Jillette Johnson @jillettejohnson, Hawxx @hawxxmusic, Noa Kirel @noakirel, Kill Birds @killbirdsmusic, Killboy @killboy , Sloppy Jane @sloppyjanebandd , Ydegirl @ydegirl, The Linda Lindas @the_linda_lindas, Allison Ponthier @allisonponthier, Isabella Manfredi @isabellamanfredi, Pom Pom Squad @pompomsquad
Best Local (Colorado) Artist – Local artists can often be touring or even national acts. This category was very competitive with the amount of quarantine albums that came out. Our winner is Companion who mesmerized us in the Spring. They will quickly become a national act.
Best Dance – Dance is also electronic and electro pop. Magdalena Bay & Sofi Tukker are the 800 lb gorillas in this category. Kito is our winner for surprising collaborations.
Magdalena Bay @magdalenabay, Sofi Tukker @sofitukker, Kito @kito
Best Pop – Pop like Indie is often open to interpretation. It is often what dominates at venues. Our winner is Charlotte Cardin whose Phoenix album was one of the best albums this year.
Hana Vu @hanavuuu, Lucy Dacus @lucydacus, Japanese Breakfast @jbrekkie, Baby Queen @queenofthebabies, Charlotte Cardin @charlottecardin, Jess Chalker @jess_chalker_, May-A @mayacumming, Ashe @ashemusic, Girl In Red @girlinred, Angèle @angele_vl, Sloppy Jane @sloppyjanebandd, Nadia Vaeh @nadiavaeh, Olivia Rox @oliviarox, Number One Popstar @numberonepopstar, Bahari @bahari, Noga Erez @nogaerez, Lola Lennox @lolalennex
Best Rock – Rock is often the guitar driven beat that keeps you going. Kill Birds, who have been touring with Foo Fighters are our winner.
Royal and the Serpent @royalandtheserpent, Amyl and the Sniffers @amylandthesniffers, Mattiel @mattielworldwide , Upsahl @upsahlmusicl, Self Esteem @selfesteemselfesteem, Kill Birds @killbirdsmusic, Nadia Sheikh @nadiasheikhmusic, Red Hook @weareredhook, Pom Pom Squad @pompomsquad
Best Indie – Indie always means both a sound but also a level of development. These are the artists at the small venues touring to survive. We have a diverse selection this year. Bnny is our winner.
Best Experimental – There is always a “flinch” moment when you saw experimental. It involves a great deal of risk as personified by our winner Fifi Rong who is working on her dual album set with one album all in English, and one all in Chinese. She is crowdfunding now.
Insect Ark @insectark, Fifi Rong @fifirong, Sasami @sasamiashworth, Irreversible Entanglements @irreversibleentanglements, Haru Nemuri @haru_nemuri
Best Hip Hop – This is the first year that FEMMUSIC has this category. There may be some arguments as to whether all these artists fit it. Coi Leray is the best newcomer in this area. Ray BLK is our winner.
Bia @bia, Tones and I @tonesandi, Doja Cat @dojacat, Sza @sza, Cardi B @iamcardib, Megan Thee Stallion @theestallion, Coi Leray @coileray, Ms Banks @msbanks, Ray BLK @rayblk, Remi Wolf @remiwolf, Tinashe @tinashenow
Best Jazz – We will admit to not hearing as much jazz this year. Laufey is the winner with original interpretations of classics.
Laufey @laufey, Nnenna Freelon @officialnnenna
Best Country – Brandi Carlile is a favorite in this category and will take home more GRAMMYs. Allison Russell wins for being new and original.
Brandi Carlile @brandicarlile, Allison Russell @allisonrussellmusic, Yola @iamyolaofficial, CMAT @cmatbaby, Jackson & Sellers @jacksonsellersmusic, Ingrid Andress @ingridandress
Best Heavy Metal – Infected Rain is a former winner in this category. Jinjer, Halestorm & The Pretty Reckless dominate. The Velveteers are this year’s winner.
Hawxx @hawxxmusic, Edge of Paradise @edgeofparadise, Jinjer @jinjer_official, The Velveteers @thevelveteers, Infected Rain @infectedrain_official, The Pretty Reckless @theprettyreckless, Halestorm @halestormrocks
Best R & B – This category includes powerhouses like Arlo Parks and Dawn Richard. Alewya is our winner for new and original music this year.
Muni Long @munilong, India Shawn @indiashawn, Dawn Richard @dawnrichard, Alewya @alewya11, Arlo Parks @arloparks, Tkay Maidza @tkaymaidza, Danielia Cotton @danieliacotton, Saleka @saleka
Best Surprise – A “surprise” for us is that unexpected performance when it was not expected. It includes some risky performances such as LVXURI and Big Klit. S.G. Goodman is our hands down winner. We caught her as an opener and she garnered as much reaction as the headliner. She is a blunt, and emotive songwriter.
S.G. Goodman @s.g.goodman, Kiesza @kiesza, LVXURI @mx_lvxuri, Big Klit @klitoriusmaximus
Best Comeback – This has been a surprisingly competitive category. Whether it’s the return of ABBA after a long time to Adele’s new album. The big surprise this month is Taylor Swift taking the world with the longest song. She is our winner.
Kylie Minogue @kylieminogue, Avril Lavigne @avrillavigne, Deborah Gibson @debbiegibson, Liz Phair @LizPhairOfficial, Taylor Swift @taylorswift , ABBA @ABBA, Adele @adele, Lorde @lorde
Playing a home show still feels special for The Beths, who began playing shows in 2015 and quickly won over local audiences with a low-key approach that disguised their drive for excellenceThe band announced its first live recording and film, Auckland, New Zealand, 2020, out September 17th on Carpark Records. The announcement also comes on the three-year anniversary of the release of their debut album, Future Me Hates Me. Auckland, New Zealand, 2020 showcases the infectious energy The Beths bring to every performance. Native birds, wonkily crafted by the band from tissue paper and wire, festoon the venue’s cavernous ceiling while house plants soften and disguise the imposing pipes of an organ. The presence of the film crew isn’t disguised: much of the camerawork is handheld; full of fast zooms and pans. “Watching the film for the first time brought back all the emotions of 2020 for us. Sports Team have done such an amazing job of capturing the mix of anxiety and simple joy that was touring music in NZ at the time. We are so grateful that it happened and grateful to have it documented with so much love and care,” says lead vocalist/guitarist Elizabeth Stokes.
After building a loyal following through live performances and their 2016 EP Warm Blood, The Beths signed to Carpark Records and released the debut album, Future Me Hates Me, in 2018. Jump Rope Gazers, released in July 2020, was a slower, yearning follow-up that still fizzes and sparks with pop-punk sensibilities.
Auckland, New Zealand, 2020 has its genesis in an urge to share the now-rare experience of a live show as widely as possible. The accompanying film makes the deep bond Stokes, lead guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck clearer than ever: capturing the in-jokes they share with audiences during on-stage banter, and foregrounding their mutual preoccupations with the game of cricket and New Zealand’s native birds. It’s a collective exhalation, in one of the few countries where live music is still possible. They deliberately include the date and location, because “That’s the sensational part of what we actually did,” says Pearce. In a mid-pandemic world, playing to a heaving, enraptured home crowd feels miraculous.
The band will follow up the release of Auckland, New Zealand, 2020 with a North American headline tour in 2022. “Our last North American tour was in summer of 2019, which feels like a century ago.
There is no way to describe how much we have wanted to be over there playing music. Finally it is happening?! See you soon. xo,” says Liz.
Tour Dates:
Fri. Sept. 17, 2021 – Auckland, NZ @ The Others Way
Tue. Sept. 28, 2021 – Auckland, NZ @ Whammy Bar
Wed. Sept. 29, 2021 – Auckland, NZ @ Whammy Bar
Thu. Sept. 30, 2021 – Auckland, NZ @ Whammy Bar
Fri. Oct. 1, 2021 – Auckland, NZ @ Whammy Bar
Sat. Oct. 2, 2021 – Auckland, NZ @ Whammy Bar
Fri. Oct. 22, 2021 – Tauranga, NZ @ Tauranga Arts Festival
Sat. Oct. 23, 2021 – Hawke’s Bay, NZ @ Labour of Love
Fri. Oct. 29, 2021 – Wellington, NZ @ San Fran
Sat. Oct. 30, 2021 – Wellington, NZ @ College of Creative Arts, Massey University (AA show)
Sun. Oct. 31, 2021 – Nelson, NZ @ Nelson Arts Festival
Thu. Nov. 4 – Sydney, NSW @ Factory Theatre
Fri. Nov. 5 – Brisbane, QLD @ The Zoo
Sat. Nov. 6 – Melbourne, VIC @ The Night Cat
Sat. Dec. 4 – Auckland, NZ @ The Outerfields
Thu. Jan. 20, 2022 – Washington, D.C. @ Black Cat
Fri. Jan. 21, 2022 – Philadelphia, PA @ Underground Arts
Sat. Jan. 22, 2022 – New York, NY @ Rough Trade (in-store signing)
Sat. Jan. 22, 2022 – New York, NY @ Webster Hall
Sun. Jan. 23, 2022 – Boston, MA @ The Sinclair
Tue. Jan. 25, 2022 – Montreal, QC @ Bar Le Ritz
Wed. Jan. 26, 2022 – Toronto, ON @ Lee’s Palace
Fri. Jan. 28, 2022 – Chicago, IL @ Metro
Wed. Feb. 2, 2022 – Calgary, AB @ Commonwealth
Fri. Feb. 4, 2022 – Vancouver, BC @ Biltmore Cabaret
Sat. Feb. 5, 2022 – Seattle, WA @ Neumos
Sun. Feb. 6, 2022 – Portland, OR @ Wonder Ballroom
Tue. Feb. 8, 2022 – San Francisco, CA @ The Independent
Thu. Feb. 10, 2022 – Los Angeles, CA @ Regent Theater
Sat. Feb. 12, 2022 – Phoenix, AZ @ Valley Bar
Tue. Feb. 15, 2022 – Austin, TX @ Parish
Wed. Feb. 16, 2022 – Dallas, TX @ Club Dada
Fri. Feb. 18, 2022 – Atlanta, GA @ Masquerade (Hall)
Sat. Feb. 19, 2022 – Nashville, TN @ Mercy Lounge
Sun. Mar. 27, 2022 – Southampton, UK @ The Loft
Mon. Mar. 28, 2022 – Leeds, UK @ Brudenell Social Club
Tue. Mar. 29, 2022 – Glasgow, UK @ St Luke’s
Thu. Mar. 31, 2022 – Manchester, UK @ Club Academy
Fri. Apr. 1, 2022 – Bristol, UK @ SWX
Sat. Apr. 2, 2022 – Birmingham, UK @ The Castle and Falcon
Mon. Apr. 4, 2022 – London, UK @ O2 Forum Kentish Town
Spin Magazine