Courtney Barnett today announces ‘Here And There,’ a boutique touring festival with a rotating line-up featuring many of the most exciting songwriters in music today. This August and September, Barnett will take the one-day, one-stage festival to 15 locations around North America, each city with an extraordinary and unique line-up.
Joining Barnett at various points on the line-up will be Alvvays, Arooj Aftab, Bartees Strange, Bedouine, Caroline Rose, Chicano Batman, Ethel Cain, Faye Webster, Fred Armisen, Hana Vu, Indigo De Souza, Japanese Breakfast, Julia Jacklin, Leith Ross, Lido Pimienta, Lucy Dacus, Men I Trust, Quinn Christopherson, Sleater-Kinney, Snail Mail, The Beths, Waxahatchee, and Wet Leg. A full city-by-city summary can be found below.
Barnett says: “When I was a kid I would make mix-tapes and dream up my own festivals, I’d even design the t-shirts and pair up musicians for iconic collaborations. I’d listen to the mix-tape and pretend it was the live recording of a concert, all my favorite artists on stage together. 10 years ago I wrote this lyric: “I got lost somewhere between here and there, I’m not sure what the town was called”. Whether that was meant to be interpreted as a geographical, emotional or philosophical journey, I thought it was the perfect title for my roaming festival.
This concept was something that remained floating in the back of my mind when I started playing music. Here And There feels like a natural culmination of energy after years of touring, and ten years of working on my label Milk! Records. It’s something I’ve been forever daydreaming about, and part of an always evolving project to share spaces and build new platforms for art and artists that I believe in.
It’s always been important to me to share the stage with people that I admire and artists that inspire me, which is why I’m so excited and grateful to announce this amazing lineup.”
Courtney is thrilled to have The Ally Coalition (TAC) at Here and There. TAC will be partnering with Here And There to provide site-specific programs throughout the tour. Founded in 2013 by Jack Antonoff (Bleachers) and fashion designer Rachel Antonoff, TAC is committed to bettering the lives of LGBTQ youth through tours, campaigns and partnerships, providing support to organizations serving LGBTQ Youth. TAC partners with artists and uses their platforms to raise awareness of the systemic inequalities facing the LGBTQ population and activate prominent members of the creative community and their fan bases to engage with these issues in meaningful and impactful ways. This year, TAC is touring with a range of incredible artists, including Courtney Barnett, Bleachers, Big Thief, Faye Webster, Beach Bunny and Caroline Rose.
Courtney is partnering with Plus1 to donate $1/ticket to TAC and their work supporting LGBTQ Youth across the country.
8/8/2022 – Kansas City, MO – Arvest Bank Theatre at the Midland
Sleater-Kinney is announcing their first ever self-produced album Path of Wellness out June 11, 2021 on Mom + Pop. This is Sleater-Kinney’s 10th full length studio album. The album single is “Worry About You.”
In the midst of 2020’s endless turbulence, Carrie Brownstein and Corin Tucker wrote and recorded the album in Portland, OR. They welcomed local musicians in the studio to bring their vision to life. For the first time, the band also took the reins and self-produced the eleven-track offering. With their new release, the band deliver a provocative, powerful, and poetic statement when alternative music and culture could use it the most. Check out the full track listing below.
Path Of Wellness
High in the Grass
Worry With You
Complex Female Characters
Down The Line
Sleater-Kinney is touring in August.
2021 “IT’S TIME TOUR”
Thu-Aug-05 Spokane, WA – First Interstate Center for the Arts *
Sleater-Kinney – All Hands on the Bad One (kill rock stars 2000)
By Jeanne Kalosieh
They are the saviors of rock.
They know how to rock. Carrie Brownstein, Corin Tucker, and Janet Weiss are painfully smarter than the competition and they know it. All Hands on the Bad One is another chapter in the Sleater-Kinney textbook. The Bad One is sassier, classier, and rougher than anything they’ve written in the past. After the first listen, you may not like it as much as you thought you would. But swallow it down, that jagged little pill.
The Bad One is a much more political album, and Sleater-Kinney could give a shit if you’re a member of their party. After living through a year of misogynist music, Fred Durst, Detroit rappers, and Woodstock rapers, is it any wonder that Sleater-Kinney lashed out? This band is a different brand of girl-power – one that doesn’t victimize women or pretty them up. Rather, this brand exalts women’s innate ass-kicking potential. It’s the brand that popular culture forgot exists.
Tucker’s unbridled wailing strikes out with a caustic aftertaste that wasn’t as harsh on their last CD, The Hot Rock. The guitars are less intricate; there’s little head-on collision this time around. Brownstein and Tucker are playing on the same stylistic plane, making the harmonies a bit less fierce. The power of the Bad One lies elsewhere. The bite comes from the overlapping and energy shifting on the vocals. Brownstein sings with clean precision, while Tucker’s yelping soars and Weiss acts as the shadow.
Some of the better songs include the head-banging “Ironclad,” the party-pooper salute, “You’re No Rock N Roll Fun,” the ear-ripping “Youth Decay,” and the funny, scorned-lover tune, “Milkshake and Honey.” To hear Sleater-Kinney working together at their best, try the title track, which contains the album’s most inventive musical arrangement.
To sum up the Bad One’s presiding emotional charisma, listen to the killer track, “Male Model.” A fed-up Tucker sings “he talks to me in my sleep. Does he write my songs for me? Should I try to play just like him? You always measure me by him. I’m so sick of tests. Go ahead and FLUNK MY ASS!! Cuz you don’t own the situation honey, you don’t own the stage. We’re here to join the conversation, we’re here to raise the stakes.”