Mamalarky’s highly-anticipated sophomore full-length, Pocket Fantasy, is due out September 30 via Fire Talk.
Today, Mamalarky are back with a final single from their forthcoming LP, a track called “Shining Armor”.
Accompanied by a video animated by Alex Futtersak, who is known several striking visuals he has created for Cautious Clay and Crumb, the track is the kind only Mamalarky could have created, delivering a blend of tightly wound indie rock, wobbly, jazz-inflected wildness and moments of arresting beauty played against their most abrasive.
“This song goes out to conveniently anonymous YouTube haters,” says singer Livvy Bennett. “Shining Armor is an invitation for anyone who has shit to say about how I play guitar to go ahead and reveal themselves and play a little song for us! When I wrote this I was getting a bunch of comments about my gender and appearance and how that corresponds with how I play guitar. The only response was to covert that anger into something that’s genuinely so fun to play.
“Alex Futtersak (@chippy_zone) took this idea and crafted a whole world around it, where our music is essentially breaking a curse over these angry knights in armor. I actually sent him some DIY motion capture from my room so some of the moves are true to form.”
Six months into the pandemic, three-fourths of art-rock four-piece Mamalarky plunged into a new experiment: they moved in together. Guitarist-vocalist Livvy Bennett and keyboardist Michael Hunter drove across the country, decamping from Los Angeles to bassist Noor Khan’s hometown, Atlanta. In September 2020, the trio rented a giant old house with vaulted ceilings, a tire swing, and a bare-bones little studio room. There, the band made its largely home-recorded sophomore full-length, Pocket Fantasy, due September 30 via Fire Talk.
When they needed breaks, the group would take walks to a nearby creek, surrounded by tall trees and a cacophony of birds. On a particularly sublime day of swimming, Bennett and Khan soaked in the sun, watched the light refract the water, and time stood still—a blissed-out moment captured in the pure joy of “Mythical Bonds,” an ode to friendship told through playful grooves and zigzag riffs.
Today, the band are sharing “Mythical Bonds,” alongside a video directed by Ambar Navarro (Soccer Mommy, Cuco, Moaning), to announce their new LP.
“I really needed to write something to accurately show Noor how much her friendship means to me, and our journey as musicians and friends,” Bennett reflects. “We need more songs about friendship. In peak album-making mode we were churning out songs, at times to the point of delirium. So we decided to shake ourselves loose and make this serotonin rock song about how much we love each other–to push past all those hunched-over studio hours and create this little summer memento. At the time we were having a lot of pond, lake and pool-side hangs, laughter under the beating heat. At the end of those days all we wanted to do was come home and synthesize those feelings in our studio.”
Last November the Atlanta (by-way-of-LA-by-way-of- Austin) band Mamalarky released their self-titled debut full length on the buzzing Brooklyn label Fire Talk. Today Mamalarky are returning with their first new music since their LP, a pair of singles entitled “Meadow” and “Moss” that are being released to mark the announce of the band’s first touring in support of their debut, a run of dates that includes shows with Slow Pulp as well as an East Coast headline and a New York showcase with their labelmates PACKS & Wombo.
Accompanied by a pair of videos directed by the band (who have worked on several of their own videos and recently began directing videos for other artists as well), the tracks both concern different experiences of nature and were appropriately, according to singer and guitarist Livvy Bennett, both written outdoors.
“Monotony is an illusion, or at least it’s a very tired way to look at things.” says Bennett. “Nature always has something new to offer when we slow down enough to absorb it – isolation made me appreciate and deepen this relationship significantly. I realized I’m never actually alone when I’m out under some trees. Moss offers more of a coming to terms that the surrounding landscape could be my anchor and company for the time whereas Meadow is a spark of excitement at finding a less traveled path on my daily route that opened out onto a beautiful stream with singing frogs. I wrote both these songs outdoors which I had never tried before. I still go to these spots often and they hold me up!”