Best of 2021 – Last year we missed doing our annual “Best Of.” This year we present it after a year of quarantine albums galore. Tours didn’t start until May but new music was flowing from the start of 2021. 2022 is already aiming to be a busy year. Here are our choices for the Best of 2021.
We’ve evolved from Phoebe Bridgers, Megan Thee Stallion and others of last year to a new crop of artists.
Best Label – Fire Talk Records – Home to Bnny, Mamalarky, Packs and more this boutique label is setting up to be the next Saddle Creek Records.
Secretly Group @secretlygroup, Saddle Creek Records @saddlecreek, Fire Talk Records @firetalkrecs, Don Giovanni Records @DonGiovanniRecs
Nest New Artist – “New” is always relative. Georgia Maq has been part of Camp Cope, and Isabella Manfredi was part of The Preatures. Our winner is Ashe who album Ashlyn was hard to put down this year.
Georgia Maq @goldsoundz_, Allison Russell @allisonrussellmusic, S.G. Goodman @s.g.goodman, Ashe @ashemusic, Jillette Johnson @jillettejohnson, Hawxx @hawxxmusic, Noa Kirel @noakirel, Kill Birds @killbirdsmusic, Killboy @killboy , Sloppy Jane @sloppyjanebandd , Ydegirl @ydegirl, The Linda Lindas @the_linda_lindas, Allison Ponthier @allisonponthier, Isabella Manfredi @isabellamanfredi, Pom Pom Squad @pompomsquad
Best Local (Colorado) Artist – Local artists can often be touring or even national acts. This category was very competitive with the amount of quarantine albums that came out. Our winner is Companion who mesmerized us in the Spring. They will quickly become a national act.
Best Dance – Dance is also electronic and electro pop. Magdalena Bay & Sofi Tukker are the 800 lb gorillas in this category. Kito is our winner for surprising collaborations.
Magdalena Bay @magdalenabay, Sofi Tukker @sofitukker, Kito @kito
Best Pop – Pop like Indie is often open to interpretation. It is often what dominates at venues. Our winner is Charlotte Cardin whose Phoenix album was one of the best albums this year.
Hana Vu @hanavuuu, Lucy Dacus @lucydacus, Japanese Breakfast @jbrekkie, Baby Queen @queenofthebabies, Charlotte Cardin @charlottecardin, Jess Chalker @jess_chalker_, May-A @mayacumming, Ashe @ashemusic, Girl In Red @girlinred, Angèle @angele_vl, Sloppy Jane @sloppyjanebandd, Nadia Vaeh @nadiavaeh, Olivia Rox @oliviarox, Number One Popstar @numberonepopstar, Bahari @bahari, Noga Erez @nogaerez, Lola Lennox @lolalennex
Best Rock – Rock is often the guitar driven beat that keeps you going. Kill Birds, who have been touring with Foo Fighters are our winner.
Royal and the Serpent @royalandtheserpent, Amyl and the Sniffers @amylandthesniffers, Mattiel @mattielworldwide , Upsahl @upsahlmusicl, Self Esteem @selfesteemselfesteem, Kill Birds @killbirdsmusic, Nadia Sheikh @nadiasheikhmusic, Red Hook @weareredhook, Pom Pom Squad @pompomsquad
Best Indie – Indie always means both a sound but also a level of development. These are the artists at the small venues touring to survive. We have a diverse selection this year. Bnny is our winner.
Best Experimental – There is always a “flinch” moment when you saw experimental. It involves a great deal of risk as personified by our winner Fifi Rong who is working on her dual album set with one album all in English, and one all in Chinese. She is crowdfunding now.
Insect Ark @insectark, Fifi Rong @fifirong, Sasami @sasamiashworth, Irreversible Entanglements @irreversibleentanglements, Haru Nemuri @haru_nemuri
Best Hip Hop – This is the first year that FEMMUSIC has this category. There may be some arguments as to whether all these artists fit it. Coi Leray is the best newcomer in this area. Ray BLK is our winner.
Bia @bia, Tones and I @tonesandi, Doja Cat @dojacat, Sza @sza, Cardi B @iamcardib, Megan Thee Stallion @theestallion, Coi Leray @coileray, Ms Banks @msbanks, Ray BLK @rayblk, Remi Wolf @remiwolf, Tinashe @tinashenow
Best Jazz – We will admit to not hearing as much jazz this year. Laufey is the winner with original interpretations of classics.
Laufey @laufey, Nnenna Freelon @officialnnenna
Best Country – Brandi Carlile is a favorite in this category and will take home more GRAMMYs. Allison Russell wins for being new and original.
Brandi Carlile @brandicarlile, Allison Russell @allisonrussellmusic, Yola @iamyolaofficial, CMAT @cmatbaby, Jackson & Sellers @jacksonsellersmusic, Ingrid Andress @ingridandress
Best Heavy Metal – Infected Rain is a former winner in this category. Jinjer, Halestorm & The Pretty Reckless dominate. The Velveteers are this year’s winner.
Hawxx @hawxxmusic, Edge of Paradise @edgeofparadise, Jinjer @jinjer_official, The Velveteers @thevelveteers, Infected Rain @infectedrain_official, The Pretty Reckless @theprettyreckless, Halestorm @halestormrocks
Best R & B – This category includes powerhouses like Arlo Parks and Dawn Richard. Alewya is our winner for new and original music this year.
Muni Long @munilong, India Shawn @indiashawn, Dawn Richard @dawnrichard, Alewya @alewya11, Arlo Parks @arloparks, Tkay Maidza @tkaymaidza, Danielia Cotton @danieliacotton, Saleka @saleka
Best Surprise – A “surprise” for us is that unexpected performance when it was not expected. It includes some risky performances such as LVXURI and Big Klit. S.G. Goodman is our hands down winner. We caught her as an opener and she garnered as much reaction as the headliner. She is a blunt, and emotive songwriter.
S.G. Goodman @s.g.goodman, Kiesza @kiesza, LVXURI @mx_lvxuri, Big Klit @klitoriusmaximus
Best Comeback – This has been a surprisingly competitive category. Whether it’s the return of ABBA after a long time to Adele’s new album. The big surprise this month is Taylor Swift taking the world with the longest song. She is our winner.
Kylie Minogue @kylieminogue, Avril Lavigne @avrillavigne, Deborah Gibson @debbiegibson, Liz Phair @LizPhairOfficial, Taylor Swift @taylorswift , ABBA @ABBA, Adele @adele, Lorde @lorde
Hotly-tipped metal quartet HAWXX have shared a colourful and sinister video for their explosive new single ‘Death of Silence’. The new track will feature on their newly announced EP You’re Only As Loud As You Shout Right Now, set for release in early 2022.
Originally inspired by the Me Too movement, ‘Death of Silence’ is a song of solidarity and empowerment. Accompanied by volatile guitars, thunderous drums and a truly passionate vocal performance, the song is an impactful and inspiring call to action for anyone being silenced to be as loud as is humanly possible. The video, which was entirely funded by the band’s fanbase after a successful fundraising campaign, takes the core message of the song and transforms it into an ethereal metaphor, seeing the band unleash their rage as they free one another from entanglement to unite as one and step out into life together.
Speaking about the video, the band commented, “We absolutely love this video – it was important to us to have a narrative within the video of overcoming obstacles by finding, helping and supporting each other. This message of unity was made even more poignant by the way this video was funded (completely by our fans – coming together as a community and helping us spread this message) and the way it was made – with a majority female identifying crew who related and were passionate about the concept.”
The video’s director Noomi Yates added, “The track ‘Death of Silence’ strikes a chord with me on a personal level because sadly, like most women, I’ve had my share of #metoo moments. So, to work on a video about the end of shame is empowering for me and is exactly what rock music was made for; smashing through the walls that need to be torn down. Unsurprisingly, the message behind the project attracted an almost exclusively female team. Of the 24 people who worked on the video, 20 were female, including our amazing Director of Photography, Sarah Smither. Normally film crews (just like rock bands) are pretty male-dominated, so this experience was a rare and treasured one for all involved.
“I’m especially proud of how the video turned out, not only because I think we pulled off a visual feast that does justice to the epic song, but because through collaborating with Hawxx and directing this video, I’ve been a part of the very thing that I needed as a teenager; I’ve been part of making women in rock visible. In turn, I hope all the teenage girls who see this video will feel like it’s possible for them to be rock stars too.”