Category: Videos

November 28th, 2021

In the collision of eras and styles, DYLYN comes to life. With influences that range from Blondie to Black Sabbath, DYLYN (aka Gwendolyn Lewis) has created a unique style that pulls together raw, rock n’ roll energy with infections pop hooks. Gwen worked with Ryan Guldemond (of Mother Mother) on “Hurt,” the latest single to be released from an upcoming album (TBA 2022 via Nettwerk Records).

Out of those depths, she excavated “Hurt.” Synth bass reverberates beneath transmissions of evocative distortion as her voice writhes out of tension towards a cathartic release on the chorus. “It touches on subjects that people are a little uncomfortable with like social anxiety, sexual anxiety, and depression,” she reveals. “We translate rougher experiences into who we are. The lyrics ask, ‘Who hurt you, babe?’ It exposes the darker parts of ourselves. In the darkest times of my life, I’ve learned the most.”

 In addition to working with Ryan, DYLYN will be joining Mother Mother on their sold-out North American tour that starts on January 7. This will be DYLYN’s first time performing in the US. The six-week tour crisscrosses around the US, starting in Houston, TX before wrapping up in Atlanta, GA. This will be the first time DYLYN has performed in front of a US audience in xx years.

Tour Dates:

Fri., Jan 7         Houston, TX @ White Oak Music Hall

Sat., Jan 8        Austin, TX @ Scoot Inn

Sun., Jan 9       Dallas, TX @ Hifi

Tues., Jan 11    Phoenix, AZ @ Van Buren

Wed., Jan 12    San Diego, CA @ Music Box

Thurs., Jan 13   Los Angeles, CA @ Regent

Sat., Jan 15      San Francisco, CA @ Fillmore

Mon., Jan 17     Portland, OR @ Wonder

Tues., Jan 18    Seattle, WA @ Neptune

Fri., Jan 21       Denver, CO @ Summit

Sun., Jan 23     Chicago, IL @ Metro

Tues., Jan 25    Detroit, MI @ St. Andrew’s

Wed., Jan 26    Cleveland, OH @ Beachland Ballroom

Fri., Jan 28       Buffalo, NY @ Town Ballroom

Sun., Jan 30     Boston, MA @ Paradise

Tues., Feb 1     Philadelphia, PA @ Foundry (Early & Late Shows)

Wed., Feb 2      New York, NY @ Irving Plaza

Fri., Feb 4         Washington, DC @ 9:30 Club

Sat., Feb 5        Charlotte, NC @ Underground

Sun., Feb 6       Atlanta, GA @ Masquerade (Heaven

@callmedylyn

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November 28th, 2021

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November 27th, 2021

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November 26th, 2021

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November 25th, 2021

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November 25th, 2021

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November 24th, 2021

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November 23rd, 2021

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November 22nd, 2021

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November 21st, 2021

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November 20th, 2021

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November 20th, 2021

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November 20th, 2021

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November 19th, 2021

Ladyhawke (‘Pip’ Brown) will release her hotly anticipated new album Time Flies this Friday, November 19 on BMG.

Ladyhawke

Time Flies fuses intimate subject matter such as motherhood, mental health, postnatal depression & recovering from a serious skin cancer condition, with upbeat guitar-led rock and irresistibly catchy electronic elements. “I am so happy, and relieved, and feeling all the feelings that Time Flies is finally coming out this Friday,” shares Pip. “Burnished in the flames of 2020+2021 – this album means so very much to me, and I can’t wait for you to listen, and dance in your living room (or cry). Let it be the catharsis for you that it was for me.”

To celebrate the release of the album Ladyhawke released the new song and video for “My Love.”

“My Love” which Ladyhawke describes as “the feeling of being taken for granted, not listened to, ignored, and how that sort of love can fuel a fire inside.” Shot in two separate corners of the world (8,819.55 miles apart!), the emotionally intimate music video was directed by Anthony Caronna in NYC and choreographed by Madeleine Sami in Aotearoa, New Zealand.

@ladyhawkeforyou

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November 19th, 2021

McKenna Grace

Mckenna Grace’s “Haunted House” is out now on Photo Finish Records.

The 15 year old’s impressive debut single comes timed to the theatrical release of Ghostbusters: Afterlife  – in which she stars as a whip smart young ghostbuster in what critics have already called a ‘revelatory, star-making performance.’ “Haunted House”, while not initially written or recorded for the film, is so powerfully affecting that when Ghostbusters’ director Jason Reitman heard it he immediately asked to use it for the movie’s closing credits. Says Mckenna of her first released track, “Over the pandemic I went through a rough time in my personal life, and I wanted to write a song about how even after someone’s not in your life anymore, their memory never really leaves you. You could take it as a breakup song, but it could also be about a friend or a family member or any kind of relationship that’s ended.”

@mckennagraceful

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November 19th, 2021

CJ Temple

Dreamy, yet down-to-earth, singer-songwriter CJ Temple releases her second single “Smoke” today. This is the title track from her forthcoming debut full length album Smoke due 1/28/22.

After years working in corporate America, struggling with self-doubt, mental health (including imposter syndrome) and her journey of self-discovery as a member of the LGBTQ+ community, CJ Temple returned to music with a singular goal: to provide a space of calm amid the chaos.

@iscjhere

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November 19th, 2021

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November 18th, 2021

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November 18th, 2021

Pinch Points

Melbourne four-piece Pinch Points have signed with Mistletone Records (Australia/New Zealand) and Exploding in Sound (USA) for their new album Process, to be released on March 18, 2022. The band’s new single, “Reasons to be Anxious” will be released as a 7” single with “Boy” on the B-side.

Look for Pinch Points at December’s Melbourne Music Week.

@pinchpointsband

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November 18th, 2021

Steadily making a name for herself in New Zealand, Australia and across the world with her infectious brand of electronic indie pop, Isla Noon has today announced her elevated new single “I Need To Go Home”, a deeply relatable track about feeling jaded at a party, released today.  The exciting new artist has also released a dazzling video to accompany the song, directed by Swap Gomez and Oshara Ardelean of Umbrella Creative.

Speaking on the conception of the track, Isla Noon explains, “The song tells the story of a night out where the illusion of a grand ideal is shattered; that moment you sober up to see a girl crying into her drink, the spilled wine all over the floor drying to a sticky sheen and a few lonely souls looking for connection on a dancefloor.  More than anything, it’s a metaphor for confronting times in my life where I’ve pulled back the veneer on things I was taught to accept or expected to enjoy.  The track speaks to a time where I had no choice but to listen to that inner voice – even if it meant leaving on my own.”

@isla.noon

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