The Denver Film Festival is 41 and bigger than ever. Film programs include CinemaQ, Women + Film, Focus on National Cinema: Hungary, Italian Showcase, Stain Brakhage Vision Award, Panels on journalism, and Denver’s soon to be art event Meow Wolf (there’s a documentary too). The Festival is filled with events from the Red Carpet to the smallest screen, and virtual reality. Here are some of our picks to see:
This Changes Everything – Tom Donahue & Geena Davis (Producer) bring together the biggest names in entertainment including Meryl Streep, Natalie Portman, Rashida Jones, Sandra Oh, Tiffany Haddish, Jessica Chastain, Cate Blanchett, and Reese Witherspoon to talk about gender discrimination and the solutions post #metoo – https://secure.denverfilm.org/tickets/film.aspx?id=30616&FID=102
Vox Lux – Looking at the 18-year trials and tribulations of fictional rock star Celeste (Natalie Portman) and featuring music by SIA. This Red Carpet presentation will include director Brady Corbet. https://secure.denverfilm.org/tickets/film.aspx?id=30642&FID=102
Tancred came to our attention with the track “Queen of New York”
The video and the lyrics drew us in like a bee to honey. Nightstand is Tancred’s sophomore album and it has a musical maturity that stands out. Produced by Lewis Pesacov, the album had ups and downs before production. Jess Abbott, formerly of Now, Now, is the voice of Tancred. FEMMUSIC was honored to speak with her about the album. For info visit https://tancredmusic.com/
FEMMUSIC: What was the biggest challenge making Nightstand?
JA: Picking which songs to release as singles was so tricky because the album contains a few different themes, and I was concerned releasing certain singles might give the wrong impression of the album overall. Honestly sometimes I still lie awake at night wondering if we picked the right ones.
FEMMUSIC: I understand you had the songs chosen before going to the studio. How did you go about your song choice? What else did you do for pre-production?
JA: I spent about a year writing songs for this album and I went through so many revisions within in each song, and ultimately scrapped half the album and started over. I guess what ultimately decided the songs was the theme of vulnerability. It cut a lot of more aggressive songs I had written before settling on that theme. We had a few days of preproduction before we started tracking where in the studio we played through the songs and discussed them all.
FEMMUSIC: Tell me about Lewis Pesacov. How did you meet? Why did you choose him to be producer for the album? How was he to work with?
JA: Lewis and I were set up to cowrite together but we hit it off so well that we decided to have him produce the whole thing. He felt so open to my creative direction and aesthetic ideas it made working together so easy. But he also challenged me where I needed to be challenged in the studio. It was a great balance.
FEMMUSIC: Tell me about some of your backing musicians. I noticed the names Samira Winter & Jenny Owen Youngs. You’re doing more instrumentation with the album. How did you choose these artists? How was the studio experience?
JA: Kevin Medina and Terrence Vitali recorded bass and drums on Nightstand and on my previous album, Out Of the Garden. Samira is a mutual friend of Lewis and I (I was also subletting her apartment while I was tracking Nightstand) and we thought it would be fun to have her do some vocals on the album. Her band Winter is incredible. Jenny and I had been friends for awhile and we’d collaborated around that time on some of her work, so while I was in LA in her neck of the woods I asked her to come sing on something of mine. I carried around a disposable camera the whole trip and I have some great photos of them singing in the studio. Working with friends is so fun.
FEMMUSIC: Can you describe your songwriting technique?
JA: I basically just pick up a guitar and lie around humming things until I find things I like. Or if I’m out in the world and an idea pops into my head I’ll write it out in a note on my phone or record a voice memo for later. Once I have the basic outline for a song done I’ll record each track in a demo and layer on programmed drums and bass and strings so I have an image of my vision for the song to take into the studio.
FEMMUSIC: What song (not your own) has had the biggest influence on you and why?
JA: “Demon Rock” by Letters to Cleo shook my world. I’d already dreamed of playing music professionally almost my whole life but listening to that album (Demon Rock is track one) was the first time it felt like it was something I could make real. I connected to the guitar lines, the vocals, the lyrics. I remember lying down in bed and listening to it on repeat all night. I couldn’t sleep.
FEMMUSIIC: As a woman in the music industry have you been discriminated against?
JA: Yeah, of course. But I think communicating calmly about things that make me uncomfortable and having some understanding for the context of the moment are tools that have helped me ensure I’m working in a comfortable environment. It took me awhile to not get so mad about it. It’s fair to be mad, shit sucks. But I think it’s detrimental to not leave room for some understanding in any situation.
FEMMUSIC: Whom would you most like to collaborate with, or tour with? Why?
JA: I have been deathly into Chelsea Wolfe’s new album Hiss Spun since it came out. Her live show is so sick, her Audio Tree was sick, her tones are sick, her Instagram is sick. I dream of a CW collab or tour.
FEMMUSIC: What one thing would you like to change about the music industry?
JA: The cost of making records (recording, distribution, PR, management, booking) hasn’t gone down but record sales have, so it becomes incredibly difficult to be an artist making everything yet with little coming back financially to support it all. It’s like inflation isn’t accounted for. Making music isn’t about money, but music, like anything, takes time and work. You still gotta eat and pay rent. And then you have people who think it’s ethically wrong to want to profit off your art.. It becomes a snake eating its own tail. At my career peaks I was still scraping by. The infrastructure of the music industry is broken. Short answer: I wish there was enough left of the pie for artists, the people actually creating the music, to support themselves comfortably.
Your Smith transitions from her headlining tour to opening to Rhye, before she opens for the Violent Femmes for October and November. Your Smith recently released her debut, Bad Habit EP that included singles “The Spot” and “Bad Habit.” She is signed to Neon Gold Records, home to Charli XCX and Christine and the Queens. The EP features collaborations with Tommy English, Stint, Nick Davey and more. FEMMUSIC featured “The Spot” in June at:
This Canadian Music Festival celebrates feminism in the arts. This 3 day festival includes music performances and a range of artists.
Zola Jesus – Zola Jesus is an electronics driven ethereal artist. Her latest album is Okovi. http://zolajesus.com/
Bully – Alicia Bognanna fronts this electric 3 piece rock band. Their latest album is Losing http://www.bullythemusic.com/
Moor Mother – Describing Moor Mother is a challenge. She is an activist, poet, singer songwriter, hip-hop artist, producer and more. She has a visceral tone to her music that challenges as much as it entertains. Her latest album is Crime Waves. https://www.facebook.com/MoorMother/
Vallens – This Alberta 4 piece has had the wind at their backs as they have climbed in the music industry. Their latest EP is Dimmed In My Display. https://www.vallensband.com/
From the co-creators of Bonnaroo and Outside Lands comes Colorado’s next great concert experience. This 3 day festival includes names like Kendrick Lamar & Stevie Wonder. It has 5 stages (6 when you include the Bud Light Dive Bar), which include everything from national headliners to dj’s and dance music. There are events featuring culinary ambassadors at the Detour Denver, craft beers at Arts & Crafts, distillers, spirits and cocktails at The Flight School, and panels and a marketplace dealing with Colorado’s outdoor experience at The Backyard.
Bishop Briggs (Scissors Stage, Friday) – Bishop Briggs has exploded from her beginnings in 2015 to her debut album Church of Scars. Her latest single is “Baby.” https://bishopbriggs.com/
Cherry Glazerr (Scissors Stage, Saturday) – Clementine Creevy is out of control in this rock band. Apocalipstick is their latest album. http://cherry-glazerr.com/
Florence + the Machine (Rock Stage, Saturday) – From day one Florence Welch has been a dynamo. Her latest album is High As Hope. Florence controls the stage and the audience. Don’t miss this set. https://florenceandthemachine.net/
Jade Bird (Scissors Stage, Friday) – This London artist has been sweeping the US this year. In 2017 she released Something American. Her latest single is “Uh Huh.” http://www.jade-bird.com/
Kelela (Paper Stage, Sunday) – Kelela’s 2017 album Take Me Apart featured singles “LMK”, and “Blue Light.” She has been headlining shows since then. http://kelela.co/
Mavis Staples (Rock Stage, Sunday) – Mavis Staples is making more news now than ever before. Her latest album is If All I Was Was Black. Staples has been honored by the Kennedy Center and has been inducted into the Blues Hall of Fame. Staples has toured with Bob Dylan. She is a living legend and a force to be reckoned with. https://www.mavisstaples.com/
Snow Tha Product (Rock Stage, Saturday) – This California hip-hop artist has been headlining for years and has established herself. She released her full album in 2011, and an EP in 2016. She has been releasing mixtapes since. Her latest single is “Myself.” http://www.snowthaproduct.com/
St Vincent (Scissors Stage, Sunday) – Annie Clark is an extraordinary guitarist and singer-songwriter. She has worked with David Bryne and released 5 studio albums including Masseduction. Her singles include “New York”, and “Los Angeles.” http://ilovestvincent.com/
The Franklys – This 4 piece is more mainstream akin to The Pretenders meet The Strokes. http://www.thefranklys.com/
The Menstrual Cramps – This 4 piece punk band is in your face with their debut album We’re Not Ovaryacting. We first heard of them last year and are waiting for the world tour. https://www.facebook.com/TheMenstrualCramps/
Grace Savage – Grace Savage released Control Freak, a follow up to her popular Savage Grace EP.. She is one of the hottest new artists emerging today. See FEMMUSIC’s interview with her. https://gracesavageofficial.com/
Wolf Girl – This London 4 piece released a 7″ in 2017 featuring “Moody.” This pop band is prolific in releasing material steadily since 2014. http://www.wearewolfgirl.co.uk/
Ms. Mohammed – We previewed Ms Mohammed last year as part of the Matchwomen’s Festival – Ms Mohammed is another facet of Dana Jade. A reaction to the anti-Islamist Brexitreactionaries she strikes out with an anthem called “Alibi.” http://msmohammed.com/
This celebration of women in music features 2 stages and events from workshops on belly dancing and yoga to fire dancers and a kids village. Artists playing include Ayla Nereo, Nina Storey, Bonnie & Bridget from Elephant Revival, Qbala, Ley Line, Whippoorwill, Las Curanderas, and more. For info visit https://sisterwinds.com/
Spin Magazine