Category: Unfinished Mail

January 1st, 2019
Happy New Year
Welcome to 2019! It’s a few days before and I’m scrambling for deadline. The holidays always make it rough. In the past week I read a book about the Altamont disaster in 1969 as well as seeing reports of Woodstock getting ready for a 50th Anniversary. Let’s hope it goes better than Woodstock 1999. 
January & February are usually quiet for the music biz. People are home recording and doing home shows. There are also the big awards shows. March is when the insanity begins. Normally during Jan & Feb I like to do big expansive pieces. I hope to do another this year. 
After another year of shows I’m wondering if I should write the book on the young woman artist set. I’ve been seeing it all year and can practically predict it. The artist is usually signed and looks coached in the set. The set will hit the following notes:
1. Have you ever felt like no one understands you?
2. Have you ever felt like you’re alone?
3. Here’s the song for lovers or for loving yourself
4. Here is the women’s empowerment song
The set will be book-ended by singles that are usually danceable. I’ve seen this same set in small and large venues, with openers and headliners, and in different genres. It feels staged and fake now. It also feels like every label knows the set. I’m hoping for 2019 they will change it up. 
This month we are previewing 3 festivals. Brandi Carlile’s Girls Wanna Weekend, globalFEST & GirlSchoolLA. We are waiting for the lineup on Girlschool which happens in late January. I need to start reviewing the showcase bands for SXSW for our preview in March. 
That’s all the random thoughts from my desk. Happy New Year!
Alex Teitz

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December 1st, 2018

Unfinished Mail – December 2018

It’s mid-November and 2019 is calling with a lot of the same headlines as 2018. There are new artists who are already creating a buzz. There are artists who haven’t had albums in years coming back. There are already summer tours announced. I just finished the Best Of list today. Every year it should be the easiest thing to do, and it is the hardest. There are stories throughout the year in the list. One surprise to us was that our Runners Up in the Rock Category are both bands that don’t have a woman singer. Our Jazz category has a mix of a flutist, an instrumental, and a band without a drummer. We saw a number of Hip Hop artists this year and considered making them their own category. Instead they are mixed among the Best Of…
As we approach Thanksgiving the touring season is finally winding down. Last month I began to get burned out. It’s been a long year and we have a handful of shows before it is 2019. I’ve already started to pre-order albums for 2019 and have some shows I can’t wait to see. December things will slow down, even for us. It won’t really pick up again until late February. 
Have a good holiday and look for more in 2019
Alex Teitz

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November 1st, 2018

Unfinished Mail – November 2018

Girls Buy and Play GuitarsGirls Buy and Play Guitars
It’s mid-October and I’m still fuming about an article that came out in Rolling Stone:
Why am I fuming? First, is it news? Why did Rolling Stone make it a story that 50% of new guitarists are women?. Why was Fender so surprised? 
I remember when Daisy Rock guitars launched as guitars for women and young girls. They were seen as a novelty until some big name women started playing them to stress the point that women not only play but purchase guitars. That was over a decade ago. Why is it news? I see women who play guitars are a regular basis. They are not stereotypes of Joni Mitchell playing soft folk songs. These are fierce women who can shred. Does Rolling Stone need to be reminded of She Shreds Magazine? A magazine solely focused on women on guitar. 
This morning I was filling out a survey by Folk Alliance. The survey had very direct questions on how folk music is perceived and the audience and performers it brings. Many of the “folk” shows I’ve been to this year the median age of the audience is 60. The star is white and the songs are political in nature. It is rare to see a “folk” show with someone of color on stage or in the audience. I see the same thing with jazz and blues. It is a not so subtle sign, much like the GOP, that the form is dying out. 15 years ago folk, jazz & blues had a small sliver of the music market. Filling out the survey today I think it is continuing to shrink. I love to see a singer-songwriter “naked” i.e. them and a guitar. It tells you more about the songwriting and the person when they can’t hide behind a band. What are your thoughts on folk, jazz, and blues? Where has it been? Where is it going? 
Touring season is in full swing, still. Festival season has finally ended. As musicians now is the time to head home and record and start filling out festival applications. Spring is coming quick and the homework you do now will pay off in the summer. 
Alex Teitz

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October 2nd, 2018

Unfinished Mail – October 2018

The Woman Roars

A couple of nights ago I caught Courtney Barentt. The last time I’d seen her it was election night 2016. She ended with a wonderful cover of “Drunk on Election Night.” It was more than fitting. This time around she had covers but no mention of the show of 2016. As we approach the election of 2018 I have to get political.
This past week was the Kavanaugh hearing in Washington, D.C. The battle between Kavanaugh and Dr Ford was night and day and recalled the Anita Hill hearings. The only thing that was different was the world. We are slowly turning the massive consciousness away from 18th & 19th Century thinking. The catchword is #metoo but that is merely the catalyst of an explosion that has been generations in the making.
I still get e-mails from Equal Means Equal who are still trying to pass the Equal Rights Amendment to the Constitution. It has been nearly 50 years to get enough states to ratify it. Will it change the world? Will it make things easier?
This year has been called the Year of the Woman. From the Womens March # 2 to #metoo women have a stronger voice than ever before. It American politics more women have run for office and made it through primaries than ever before. Sadly the #metoo movement is still quiet in the music industry. There have been some firings and some revelations but the industry remains a male behemoth.
By the time our November issue comes out it will practically be election day. On top of everything else, work, life, school, music…this is the year to vote. No matter how many marches you attend, petitions you sign, all are meaningless unless you exercise your right to be heard. It is time for the women to not only speak…but to roar.
Alex Teitz

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August 1st, 2018
Turning 19
August marks 19 years for FEMMUSIC. It was a difficult birth and the teen years have been rough, last year especially. This year we’ve been making up lost ground and charging forward at breakneck speed. It’s fun but we’re not a kid anymore. We do have our overwhelming curiosity for new music and the women who make it. That never changes. At 19 we’re still learning and growing. I have an active search for photographers and writers to join our team. If you know anyone, please refer them here. At 19 we still want to do more, cover more, and sleep less. We are dedicated to keeping a strong presence with our local scene and continue covering the world. The two sometimes seem contradictory. 
My own goals this year are changing. Last year was so heard that we didn’t do as much as we could. This year I’d like to do more but find myself more and more riding a computer instead of at a show. I naturally don’t sleep and the stress of keeping everything going can be a challenge. This summer feels harder than before. I hope when we turn 20 we can turn a page and be a bigger better organization. I may also relax my own reins. I don’t know yet. 
Running a magazine is based upon that old adage, “What have you done for me lately?” Keeping that many balls in the air is both the challenge and the excitement. We’re looking forward to 20. We hope you are too. 
Alex Teitz

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July 1st, 2018

Unfinished Mail – July 2018

Reluctant Artist
In the past couple of weeks I’ve seen a couple of artists that mystified me, and not in a good way. Each artist had their own eccentricities on and off stage. 
Artist #1 is a well-known artist with a couple of different bands and collaborations with other artists. On stage, she is wildly entertaining and engages the audience. Off stage, she is standoffish and almost rude. She refuses to do encores and seems offended to have to sell merch and sign anything. She is not a new artist but a veteran of a few years. 
Artist # 2 comes from a well known musical family. She does not emphasize her family ties. On stage, she curtsies and seems to wrap herself up in a protective bubble in a fetal position Off stage she wants to have security. There is no audience engagement and a distance and coldness. 
Artists regardless of medium are different. It takes a huge amount of courage to put all of yourself into your art. Many artists tend to be shy and introverted because their best communication is through their art. Musicians can be both shy and engaging. On stage, a musician must give their all. Many artists have pre-stage rituals from drinking heavily, getting high, assuming a persona and more. This pre-stage ritual allows them to be someone they naturally are not, a star. Offstage they revert to their humble roots. It makes many artists endearing and human to their fans. 
Both of my examples above are artists who have adopted ways that don’t serve them. On stage you can’t retreat nor should you. People are there to see you. Drink in their energy and let it fuel you on stage. Concerts are participatory on both sides. Look me in the eye from the stage, even if I’m a vague shadow past the lights. Move around. Dance. Have fun. This is your calling, not your job. 
Offstage talk to your audience. It always amazes me at small shows, before the curtain has been raised, how many artists don’t try to talk to anyone but their friends. If I’m at a club show, and I’m one of 20 in the door and you’re waiting for your set to begin. As long as it doesn’t interfere with your pre-stage ritual, walk around the room and put out your hand and say “Hi. I’m so-and-so. My band is playing first. I hope you will watch us.” It takes all of 5 minutes and there is a strong chance everyone you said “Hi” to will watch part or all of your set, not just your friends. When the set is done, wait to see how many of the people you introduced yourself to come back to you to give you feedback and buy merch.  
When you look at a painting or watch a movie there is no engagement. In live music there is a back and forth. There is energy in the room. Don’t hide when you can bring people into it. 
Alex Teitz

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June 1st, 2018

Unfinished Mail 

Happy RhodesHappy Rhodes
How the Ectophiles and FEMMUSIC Met – You Had Me at Ecto…
In May I received word that a catalog release was coming out from the artist, Happy Rhodes. If you’re a long time reader of FEMMUSIC the name comes up. For me Happy Rhodes is not only an outstanding artist, it was my introduction to her fan group in the early 90’s that is one reason FEMMUSIC exists today. I was in high school when I first found Happy Rhodes in the racks of a record store. Once I heard a song, I was hooked and had to get more. I ended up buying her first 10 CD’s. Rhodes story sounds similar to Ani DiFranco. Rhodes released 11 albums as an independent artist living in upstate NY between the late 80’s to the early 00’s. She did not tour extensively and her music and fans have an underground mystique to them. 
The fans of Happy Rhodes are Ectos or Ectophiles. They get this name from 2 websites:
Ectophiles Guide to Good Music –
I can personally that the Ectophiles Guide to Good Music turned me on to many artists I never knew in the pre-streaming days. I never attended the Ectophile Convention nor saw Rhodes live. In finding artists I’d never heard of, it spurred an interest to find more. That interest continues to this day in the pages of FEMMUSIC. 
Happy Rhodes
Rhodes’ catalog release is called Ectotropia and brings together some of her oldest material in a CD or Vinyl. Rhodes has an amazing 4 octave range and fits into the ethereal world of dreampop. The album can be found at: 
Rhodes is still active in the cover band The Security Project –
I hope FEMMUSIC inspires others to search for new & unknown artists as Rhodes did me. To all the Ectophiles out there I say THANK YOU. 
Alex Teitz

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May 1st, 2018
Concert Etiquette 
It’s the end of March and I’m already working on May and heading towards June. I’ve been listening to Sunflower Bean’s Twentytwo in Blue and loving it. I also have been thinking about the festival season. When I was younger another music journalist I respected would have the same column once a year on concert etiquette. I’ve emulated him in the past with my version. This year I decided to start fresh. For anyone who has had the person talking the entire night right next to you, the drunk or high idiot who is making a fool of themselves, and the person who has to record every second of the headliner with a cell phone as opposed to experiencing it, this list is for you: 
  1. Talking – Did you come to the show to see the artist or to talk? If you’re going to talk through the entire night you’ve wasted your money and offended people around you. Go to a bar, go to a restaurant to talk. At the show more people than you WANT to hear the show. 
  2. Screaming – Why are you screaming the artist’s name? Why are you screaming song names when the artist hasn’t asked for requests? The artist knows their own name and has a set list that most likely has your favorite song in it. If the artist asked for requests, then you can scream your favorite song. 
  3. Singing – Congratulations! You know every lyric to every song that the artist is going to play. The people around you however paid to hear the artist sing them NOT you. If the artist invites you for a sing-a-long then feel free. 
  4. Filming, txting, social media – Did you pay money to see a show through a 3″ screen? I didn’t. I want to experience every note and emotion in wide screen, full life. To do that I do not need to record every second of the show, photograph every second, or txt, instagram of FB everyone I know to prove that I was there. Surprisingly neither do you. It used to be if you wore the tour t-shirt the next day at school you proved you were there. Now you can instantly make your friends jealous by sending photos, clips from your phone. Just because you can…doesn’t mean you should. Experience a show LIVE not on a 3″ screen. 
  5. Drunk/Stoned – How much of the show will you remember when you are drunk or stoned? How much will EVERYONE around you remember you if you are drunk or stoned? How many will record it and send it on social media with the quote “Look at this idiot!” Congratulations! You can get drunk or stoned anywhere. Guess what? Nobody cares. People paid money to see a show not to see you behave like an idiot. 
These are a small few of the list of concert etiquette items that appear at every show, every summer. It is a funny thing that if you treat people around you with respect, they will treat you the same. If you don’t…then you can be forever immortalized on social media for being “that ass that ruined the show.” If you paid money to see a show…see a show. See, hear and experience with every sense. If not, why are you at the show at all? 
Alex Teitz

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April 1st, 2018

Unfinished Mail – April 2018

 Spring is Here 

I write this the day before Spring. Last month’s editorial I wrote the day before Vans Warped Tour announced it’s line-up. It only featured 4 female acts out of 60+. In the past Warped Tour has featured double digits. As this is the last year of the tour they will not have time to remedy it. This month we feature Sharptooth who is one of the four playing the tour. 
In March we also saw the first caucuses and primaries of the political season. We expect to follow the political season closely this year as there are over 300 women candidates running in the US. This is a year of change and we want to reflect that. 
March is also Spring Break and we are finding concerts filled with kids celebrating. It is a sign of the summer to come. 
It is now April and we begin the festival season with our first local festival, FoCoMX. May is already overflowing with festivals we plan to preview. We are also being bombarded with new releases. That is not a bad thing. Many of the artists we like have new albums out, and many new artists who are attracting our attention are putting out new material before touring. 
I’m surprising myself by reading a book or two a week now. As summer gets closer I don’t expect that to continue. This past weekend we finished Brotopia about sexism in Silicon Valley. It was enlightening and brought up many events that flew under our radar. It also continued to enforce how much work still needs to be done in all industries. 

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March 1st, 2018

Unfinished Mail – March 2018

Questioning the Questions
Hooray! It’s March. I can finally get back to my regular schedule of barely sleeping and being pure ADD on music. In February I was close. March begins the insanity of touring acts to and from SXSW, Treefort, and other music fests. It means summer isn’t far behind. 
Last month I had an interview with Holly Miranda. When it came to my usual question of discrimination, her response was “Umm, yeah.” In the midst of the #MeToo movement, I consider the question to be one of the most important to ask. FEMMUSIC is a niche music magazine focusing on women in music. The question goes to the heart of why we’re here. Not being able to elaborate on answers to tell a history is frustrating for me personally. I’ve been asking the question for 18 years now and the answers to it are a revelation. Whenever I get a lukewarm or tepid response I wonder, again, if I should be asking the question. Can it be changed? Can it be different? 
I ask the question because, since before there was FEMMUSIC, there was discrimination in the music business. It can be found in venues, studios, clubs and it may have changed over time. It has not gone away. I see value to the question. It is the “why” for us existing. Do you have thoughts on this? Please e-mail us. 

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February 1st, 2018

Unfinished Mail – February 2018

2018 Heats Up
February is the calm before the storm. In March are SXSW, Treefort Music Festival, Women’s History Month and the beginning of touring season. Already shows have been announced for October and the calendar is getting packed with dates. I’m already looking at dates for local music festivals and searching out new artists on a daily basis. The album release calendar is also heating up. Spring album releases are coming on strong before Record Store Day in April. 
If you’re an artist February is the last month to finish up recording, packaging, and booking. In March it will be best to be on the road and preparing your own spring releases. It is also the time to get festival submissions in. Summer festivals are gold and getting submissions in as soon as possible makes your chances of getting booked that much higher. 

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January 1st, 2018

Unfinished Mail – January 2018

Happy New Year!
2018 is here. 2017 was a busy year with new releases by prominent artists and big tours. 2018 promises to be the same. 2018 brings with it new tours and new artists. Many of the new signings in 2017 will be hitting the road to promote their EP’s and albums as they come out. We’re already licking our lips about shows coming in March. 2018 also marks the end of Vans Warped Tour. This alternative music festival has shaped generations of fans and artists. We’ve also found it to be one of the most accepting of women artists. 
FEMMUSIC will continue our annual issues in 2018. We will have previews of SXSW, Canadian Music Week, Australian Music Week, Melbourne Music Week, Loud Women Festival, and more. We also continue to look for those events that aren’t getting publicity and try to bring them to the forefront. 
Typically in January & February we like to take on a broader issue in the music industry. In the past couple of years that has included interviews with women tour managers and women in studio production. As of this writing we are still looking for a subject and look forward to bringing it to you. FEMMUSIC is about women in the music industry not just musicians. We are also an activist site. It is not enough to watch from the sidelines. You need to take a stand and support it. 
FEMMUSIC tries to support upcoming artists. We do this by featuring and interviewing them. We also work locally to try to provide artists and organizations with resources that come across our desk. We are a strong believer in arts funding and trying to find funding for artists. We also look for opportunities for gigs, events that might normally be thought of because they are not “music” exclusive. Sometimes our instincts prove true and we’ve heard from artists when our resources have helped. We look forward to doing more in 2018. 
The year is just beginning and we hope to make it a great one. 
Alex Teitz

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December 1st, 2017

Unfinished Mail 

2017 Year of the Woman
Who knew that when we started 2017 that so many women would finally be given a voice, and so many still need to speak up. 2017 began with the Women’s March that brought optimism and unity when spirits seemed lost. Now in October it is a daily revelation of who is being accused of sexual harassment. The #MeToo movement has spread from beyond Hollywood to Congress. Sadly there are too few stories from the music industry. We’ve only seen a couple recently including:
The music industry is ripe for more scandals to come to light. In February the EEOC ruled that Hollywood has a systemic problem in discriminating against women:
We would love to see the same investigation done into the music industry. I was recently watched Play Your Gender, a film about women in music and why only 5% of producers are women. We hope to have a larger story on this soon. In the meantime you can more info at:
The question on everyone’s mind is “Will this finally make a difference?” The only way to change the system is to hire more positions in power with women. This is not a new concept. It is overdue. We are looking forward to a new paradigm for 2018 and have our fingers crossed we will see it. 
Alex Teitz

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November 1st, 2017

Unfinished Mail – November 2017

Seeing & Not Seeing
October began with the mass killing in Las Vegas. On of the best editorials we saw about it was this:
Concert security is one of my soapboxes. It is the constant struggle of keeping audience members safe without infringing on their rights. Las Vegas took it to another level with the shooter being no where near the venue. It presents a scary new step in terror. We mourn the victims in Las Vegas and hope that this will finally be the last event of its kind. 
On an entirely different note, October had us in shows where we couldn’t see the artist. The biggest were Frankie Rose and Hundred Waters. Both decided that a smoke machine is better than a live performance. Hundred Waters was moved from a bigger venue. We heard the crew checked the smoke machine at sound check. They obviously didn’t care that the smoke completely obscured the band. You were lucky to see shadows. 
Frankie Rose was a similar situation. Not only did she have a smoke machine going, she also asked that the lights be turned down when she got on stage. She was a black shadow on stage. 
Both shows emphasized for us how visual a concert is. As an artist on stage you have a presence to deliver your message. If you hide behind smoke and shadows, you are telling your audience you don’t “want” to see them. On stage you are the master. It is both frightening & empowering to do a live show. The reason you are on stage (and above everyone else) is because you’ve earned it. You’ve proven you can play and perform. I’ve seen shows with amazing light shows that work to amplify the performance. Both of these shows I left early. There was no show to the show only shadows and smoke. Please let your audience see how good you are. 
Alex Teitz

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October 1st, 2017

Unfinished Mail – October 2017

Kayla Smith

In August we caught the band Scars That Heal in Time. Kayla Smith was wearing a t-shirt that said “NOT THE MERCH GIRL” that had been made by her mother. To me it was an instant recognition of what happens every day. I’ve heard it from tour managers, and artists. They come to a venue and the expectation is that they are “friends of the band”, “groupies”, “the merch girl”, etc….not the band itself. I’ve been hearing stories for years and seeing a band blatantly point it out was wonderful. Personally I think Scars That Heal in Time should have that t-shirt in it’s merch. I know many artists who would wear that shirt. 
I view the non recognition of the band “being” the band as sexism pure and simple. No man loading in gear is viewed the same way. A band deserves basic respect when loading in and through the night. If they are professional, the venue should be professional with them. If not, well…those are other stories. Women lugging in their own equipment are not viewed the same way. In some ways it is almost puritan based where a woman isn’t “expected” to do that. It’s 2017. Women are doing more than they were ever “expected” to do. They aren’t “just” the merch girl. They are the band that will kick your ass. 
Alex Teitz

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September 1st, 2017

Unfinished Mail – September 2017

Fight Like A Girl

What does it mean to “Fight Like A Girl?” We began to ask that question after receiving the following video at the beginning of August:
Zolita – Fight Like A Girl (2017) –
Zolita’s video is one of empowerment and sisterhoord and reflects the world of post the Womens’ March with the lyrics, “My Body, My Choice, My Rights and My Voice.” Zolita is the not the first artist to “fight like a girl.” We were quickly reminded of others including:
Kalie Shorr – Fight Like A Girl (2016) –
Emilie Autumn – Fight Like A Girl (2013) –
Bomshel – Fight Like A Girl (2009) –
There are many others. You will also find many organizations that Fight Like A Girl including:
These organizations help to strengthen each other in times of illness or even abusive relationships. 
Fight like a girl does not mean fight like a man. It is a measure of mental and spiritual resolve that keeps us going no matter what hardship life throws at us. 

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August 1st, 2017

Unfinished Mail – August 2017

 Turning 18 - FEMMUSIC's 18th Anniversary 
FEMMUSIC is now old enough to vote so look out at the 2018 elections. FEMMUSIC is old enough to drive. FEMMUSIC is old enough to rock! 
18 years ago FEMMUSIC started. The year was 1999 and the internet was flooded with music sites who had lots of money. We didn’t. I’d expected FEMMUSIC would last 6 weeks, maybe. Instead through lots of hard work we’re turning 18. Rolling Stone is 50 this year so we have a ways to go. 
Every year I do FEMMUSIC I find new artists. I often consider music to be a 3 minute love affair. The older I get the less I’m falling in love with the artist; the more I fall in love with the music. Often times I don’t consider myself a “fan.” Fans of artists know their catalog backwards & forwards, know the lyrics, and know the history. I go into shows cold wanting to fall in love with the music. If I’m lucky I do.
The older I get the more I consider my mission to teach as well as shine the spotlight on artists. I recently had someone giving me pointers on promoting what I was doing in the niche to gain advertisers. I’m long past hunting for money to keep FEMMUSIC going. The contracts I would have to sign are not worth the money. FEMMUSIC is a labor of love. Not a commodity.
This has been a good year for FEMMUSIC. I think last year we were busier. This year I love the team I’m working with. There is more I would have liked to have cover this year but there will be other opportunities. We won’t be stopping anytime soon.

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July 1st, 2017

Unfinished Mail – July 2017

Do You Hear That? 
Do You Hear That? 
It’s the sound of summer insanity. Lorde’s Melodrama hit the charts this week shortly after Katy Perry’s new album broke. Haim has a new album coming out and just announced their new tour. Everywhere you look new albums, new tours, new music is hitting the airwaves at a rate seen every summer. Summer is the bread and butter of the entertainment industry. The summer blockbuster films are as big as the summer music releases. Any artist that can be on the road is. Every tour is filled and we’re already booking the Fall. SXSW is already accepting applications for 2018. 
This month we are previewing festivals worldwide. From Quebec to Sydney to London to Portland there is music everywhere. There is no time to slow down. We’re jumping at gigs to see artists we’ve been hearing about. As I finish up the July issue I’m already feeling the breath of August in my ear. Summer is the time to be out and drinking in the music. No one sits still now. 

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May 31st, 2017

Unfinished Mail

On Monday May 22, 2017 another concert venue was attacked, this time in Manchester, England. Almost immediately after, the usual debate began of concert security. It is a hot button issue and my soapbox. I come from a weird mix of criminal justice and music. I’m also a strong believer in order.
The choice is simple. Do you want to have going to a concert be like going to the airport or not? Large venues and large tours already have metal detectors and bag searches, some of which pre-date the Pulse Nightclub attack. Do you want ALL large venues and large tours to be secure? Does that take away from your fun?
What about small venues? The smaller the venue the less money to be able to hire extra people, have metal detectors, etc….I love small venues for their intimacy. I also know the staff at many small venues. They are my friends and I find them outside of work. I worry about their security.
I have a tendency to think like a terrorist. What does that mean? I look at venues and wonder how easy it would be to have a scenario like Paris, like Pulse….there. Sadly the scenarios are too easy to imagine.
Live music keeps me alive. It is the blood in my veins. I’ll never stop going to live shows until I’m physically unable to. Terrorists win if we’re too scared to go. Be smart. Have fun. Never stop going.

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May 1st, 2017

Unfinished Mail – May 2017

DON’T scream “Freebird”

It’s May and that means it’s festival season. It also means it is our annual reminder of how to play nice with others known as Concert Etiquette. We do this list every year in honor of all those memorable “for all the wrong reasons” shows we encounter every year. 
When going to a concert we are all seeking the same thing: to have fun. The band is there for that. The audience is there for that. The problem is some people’s idea of fun, is not always the same as everyone else’s. Your behavior can, at a minimum, be considered rude, and, at a maximum, be illegal and enough to get you tossed from the venue. Here are the DO’s and DON’T’s of concerts:
1. DON’T sing every word to every song that the band is playing. They already know the words, and the people around paid to hear the band sing, not you.
2. DO sing to the band when they ask everyone to sing along.
3. DON’T scream out band members names at any opportunity. They know their own names and don’t need you to remind them.
4. DO scream & clap appreciation for solos, and songs with the rest of the audience.
5. DON’T talk through the band’s set. If you want to talk, go outside the venue or someplace where you don’t interfere with the rest of the audience. This is true of the opening act, or anyone who is performing. People paid to hear these people NOT you.
6. DON’T scream “Freebird” or any of the other usual song requests. The band has a set list. Some may ask for audience participation, but drunkenly screaming out something they NEVER play does not win you points.
7. DON’T get drunk. You may see yourself as the master of the universe when drunk but most likely, everyone around you doesn’t. If you get too drunk you WILL get tossed from a venue. If you don’t, and act like an ass, you will be remembered, ridiculed and punished.
8. DON’T get stoned. See number 7.
9. DON’T stand up for a song, or set when everyone around you is sitting down. You will block someone’s view and that ruins their fun.
10. DON’T text, talk or photograph the entire concert or set. In the smartphone era a generation has been raised to believe that you can’t actually brag that you were at a show without demonstrating you are AT a show. Professional photographers have the first 3 songs to capture the best of the band. They have better cameras and a better view than you. Take a few shots but remember the joy of a concert is BEING there. It is called a concert experience because everyone is present. If you can’t look up from your phone, you are not.
11. DON’T quote me the set. You may have seen the band 20 times and memorized their facebook, and twitter. You may be the ultimate fan and know them by name, age and social security number. If you want your band to get more popular it is because they attract NEW fans beyond just you. You want the person next to you to experience what you did as NEW. If you blab about every song, every second, they may walk out and that is a lost fan & sale for your band.
DO have fun. Remember that everyone around you wants to as well. Often times I go to shows to see how a band does live. I may have never seen them. I meet the excited fans who know every detail of the artist’s life. I learn some things from them, but the experience I get is to see them perform. 

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